Studio Temp by Officina Magisafi
The new workspace of graphic design agency Studio Temp in Bergamo, designed by Officina Magisafi, brings together architecture and graphic culture through a precise language of materials and details. Stereo, designed by Luca Papini for QuadroDesign, was selected for the shared kitchen and bathroom.
A meeting of different creative disciplines takes shape in the new workspace of Studio Temp, the Bergamo-based graphic design studio founded in 2007 by Guido Daminelli, Marco Fasolini and Fausto Giliberti. Working across visual identity, type design, editorial design, art direction and digital projects, Studio Temp has developed a distinctive visual language built around precision and formal simplification, bringing together references from international typographic culture and the more immediate codes of popular graphics.
The design of its new office was entrusted to Officina Magisafi, the architecture and interior design practice founded by Claudio Acquaviva and Debora Bordogni. Based in Val Seriana, the studio approaches architecture through material research, technical knowledge and a close relationship with local craftsmanship, developing interiors in which details and bespoke elements are conceived as integral parts of the space rather than decorative additions.
For Studio Temp, this approach translates into a working environment where architecture and graphic culture coexist through a precise use of materials, surfaces and details. The project reflects the identity of its occupants without turning it into a literal spatial translation, creating instead a measured backdrop for everyday creative work.
QuadroDesign is part of the project in its shared spaces. In the communal kitchen and bathroom, Officina Magisafi selected elements from Stereo, the collection designed by Luca Papini. Made entirely from AISI 316L stainless steel, the collection enters the project through its essential geometry and material presence, quietly integrating into the architectural language of the interiors.
